One of the things I’ve noticed during this pandemic period is a very strange bifurcation of the experience of time—for me, days seem to go…
Obviously it’s been a very strange time, with many events and projects cancelled, postponed, and often still hovering in some sort of suspended animation, with…
Performances Karin Nakayama, violin. Half Moon Hall, Shimokitazawa, Japan. September 2, 2019. The Crutch of Memory Line Upon Line. Open Circuit, Leggate Theatre, University of Liverpool,…
It’s been a bit more than two years since we made our commitment to reach a 50/50 gender balance across all the composers represented on…
Performances University of York, Rymer Auditorium, HISS@10. February 15, 2019. I, for example, … Kathryn Schulmeister, double bass. University of California, San Diego. February 23, 2019. The…
Performances Dejana Sekulic, violin. Darmstadt Summer Courses ‘Open Space’, Germany. July 18, 2018. “the green is where” Daryl Buckley, electric lap steel guitar. City Recital…
Phantom Images. Includes I, for example, … (2017), along with works by Katherine Young, Chris Mercer, Sam Pluta, and Charmaine Lee. Produced as part of the…
Last June, as my first act as the newly appointed Director of CeReNeM, I made a commitment to attain a 50/50 gender balance across the…
A number of exciting performances and projects coming up in the first few months of 2018 … In February I’ll be one of the featured…
Austin residency ELISION ensemble. Big Medium Gallery, Austin, Texas, October 20, 2017. Ben Marks, trombone: Because they mark the zone where the force is in the…