A way of making ghosts (2018–20)

A two-part work on the self portraits of Gerhard Richter. 

Part one: Self-Portrait, Three Times, Standing (15.3.1991–20.3.1991)
Part two: Self-portrait, 1996

[ piccolo/alto flute, contrabass clarinet/E-flat clarinet, tenor saxophone, quartertone horn, trombone, piano, cello, double bass ]

The wreck of former boundaries (2014-16)

[ two trumpet soloists, clarinet/bass clarinet, alto saxophone, trombone, electric lap steel guitar, double bass, and 5.1 channel electronics ]

A painter of figures in rooms (2012)

[ eight voices ]

And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion)  (2005-09)

[ ob (+musette, english horn) / cl (+E-flat, bass) / tr / tbn / hrp / perc / vln / va / cb ]

“the green is either” (2002-03)

[ three trios for seven players.  trio one:  solo ob, solo vln, percussion / trio two:  solo ob; va, vc / trio three:  solo vln; fl, cl ]

Relief Construction (1997)

[ for large wind ensemble: 3 3 3 2 / 0 4 2 1 / 4 sax / pf / 6 perc / 2 elec. bass gtr. ]