violin

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  1. julio
    julio / 11-12-2013 / ·

    Bravo!

  2. seansay
    seansay / 2-22-2014 / ·

    Hi Aaron! Can I buy this book in amazon or other place?

  3. Alan
    Alan / 2-23-2015 / ·

    Great to see the rehearsal process. When will full performance be available on line? Difficult to access footage on You Tube. Entering Diego Costa give a lot of football stuff!

  4. Stewart Miller
    Stewart Miller / 5-23-2016 / ·

    Can’t wait to hear it!

  5. Alan Munro
    Alan Munro / 8-8-2016 / ·

    Hi Aaron.
    Alan Munro from Alba New Music here. Looking forward to welcoming you to Edinburgh in October.
    Can you give me any more details of gig at City University , London in November please?
    Kind regards
    Alan

  6. John Bryan
    John Bryan / 6-28-2017 / ·

    Is there any data about the gender balance amongst composers more generally? Is the admirable aim of going for 50/50 actually likely to disadvantage male composers, who may simply be in the majority in the world at large?

  7. lindaokeeffe
    lindaokeeffe / 6-29-2017 / ·

    Fantastic news, as founder of the Women in Sound Women on Sound organisation, http://www.wiswos.com, located in Lancaster, I am happy to support an activity like this in any way I can.
    Regards
    Linda O Keeffe
    http://www.lindaokeeffe.com

  8. Todd McKean
    Todd McKean / 9-2-2017 / ·

    is this book still available, anywhere?

  9. Alan
    Alan / 11-11-2017 / ·

    Hi Aaron, great to see performances in the U.K early next year. Already looking forward!
    A

  10. mimo
    mimo / 6-1-2018 / ·

    ” Is the admirable aim of going for 50/50 actually likely to disadvantage male composers, who may simply be in the majority in the world at large?” What struck me about this question is the fact that there could be damage to male composers. Of course there will be damage. How can we have a better representation of women whithout hurting men? I have listen to 61 days of streaming music composed by 1731 women in classical music so far. It is a shame there aren’t more Women’s Works in Concert Halls. Here in Canada, for the 2018-2019 season of 6 main large Orchestras, there will be 95% of played Works by men. 95%.

  11. MATTHEW Aldrich
    MATTHEW Aldrich / 9-21-2020 / ·

    Hello, Aaron, and I hope you are well. I was introduced to you years ago by Justin Urcis; we met at a restaurant after the performance of your string quartets at Monday Evening Concerts in LA. Anyway, I must say, I really like what you’re doing with “Wreck”! There is this powerful yet “desperate” energy to the sections I heard, as if the performers (and the electronics) are having a conversation that they must have, yet cant. Amongst much else in “Wreck”, this seems to me to be a cool new dimension in your work. Bravo! Matthew Aldrich

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