A way of making ghosts (2018–20)

A two-part work on the self portraits of Gerhard Richter.

Part one: Self-Portrait, Three Times, Standing (15.3.1991–20.3.1991)
Part two: Self-portrait, 1996

[ piccolo/alto flute, contrabass clarinet/E-flat clarinet, tenor saxophone, quartertone horn, trombone, piano, cello, double bass ]

The wreck of former boundaries (2016)

[ alto saxophone & 5.1 channel electronics ]

The wreck of former boundaries (2016)

[ solo B-flat clarinet ]

The wreck of former boundaries (2016)

[ piccolo trumpet, quartertone flugelhorn, trombone ]

memento / memorial (2010)

[ solo oboe ]

Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion) (2007-2009)

[ oboe (+ musette, english horn) / clarinet (+ E-flat, bass) ]

Because they mark the zone where the force is in the process of striking (or, Second Study for Figures at the Base of a Crucifixion)  (2008)

[ solo trombone ]

What then renders these forces visible is a strange smile (or, First Study for Figures at the Base of a Crucifixion) (2008)

[ solo trumpet ]

songs only as sad as their listener (2006)

[ solo trombone with wispa/practice/silent mute ]

“the green is or” (2002)

[ solo oboe ]

asphyxia (2000)

[ solo soprano saxophone ]

Metallic Dust (1999)

[ solo amplified bass clarinet ]