Self-portrait, 1996 (2019–20)

[ piccolo/alto flute, contrabass clarinet/E-flat clarinet, quartertone horn, cello ]

Part two of A way of making ghosts, a pair of works on on the self-portraits of Gerhard Richter.

Self-Portrait, Three Times, Standing (15.3.1991–20.3.1991) (2018–19)

[ tenor saxophone, trombone, piano, double bass ]

Part one of A way of making ghosts, a pair of works on on the self-portraits of Gerhard Richter.

A republic of spaces (2018, rev. 2019)

[ percussion trio ]

The wreck of former boundaries (2016)

[ piccolo trumpet, quartertone flugelhorn, trombone ]

Second String Quartet (2010)

[ 2 vln, va, vc ]

Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion) (2008-09)

[ oboe (+ musette, english horn) / clarinet (+ E-flat, bass) ]

“the green is either” (2002-03)

[ three trios for seven players.  trio one:  solo ob, solo vln, percussion / trio two:  solo ob; va, vc / trio three:  solo vln; fl, cl ]

a/grammatical study for three (quasi-)independent players (2002)

[ violin, oboe, percussion ]

String Quartet (2002)

[ 2vln, va, vc ]

zero panorama (1999)

[ english horn, violin, soprano, mezzo soprano ]

On a text by Steven McCaffrey: “gnotes”, from Theory of Sediment, “Clints & Grykes”.

garden of forking paths (1998)

[ four alto saxophones ]

t o x i n (1998)

[ for amplified ensemble: alt fl (picc), ob (eh), hpschd, vln, vc ]