instrumentation: fixed media; stereo electronics
“I, for example,” says the nameless narrator in Fyodor Dostoevsky’s “Notes From Underground (1864),” “would not be the least bit surprised if suddenly, out of the blue, amid the universal future reasonableness, some gentleman of ignoble or, better, of retrograde and jeering physiognomy, should emerge, set his arms akimbo, and say to us all: ‘Well, gentlemen, why don’t we reduce all this reasonableness to dust with one good kick, for the sole purpose of sending all these logarithms to the devil and living once more according to our own stupid will!’ That would still be nothing, but what is offensive is that he’d be sure to find followers: that’s how man is arranged.”
From “Our Delight in Destruction,” Costica Bradatan, New York Times, March 27, 2017.
Phantom Images, HCR17, April 2018, along with works by Katherine Young, Sam Pluta, Charmaine Lee, and Chris Mercer.
Electric Spring Festival, Huddersfield, UK. February 21, 2018.
Spectrum NYC, “Altered Carbon” BingeFest. February 17, 2018.
Florida Contemporary Music Festival, Gainesville. February 15, 2018.