A portrait CD of my work from 1999–2009, performed by ELISION Ensemble. Predominately solo works (and one duo), and outlining the development of my work with tablature. Liner notes by Evan Johnson. Includes:  The Crutch of Memory; Being itself a catastrophe, the diagram must not create a catastrophe; Because they mark the zone where the force is …
Includes:  Second String Quartet. JACK Quartet. Recorded live, Donaueschinger Musiktage, SWR2, October 2010.  NEOS 11114-7, October 2011. Available here.
ELISION / Manuel Nawri, conductor. Includes:  memento/memorial (Peter Veale, oboe & musette (two versions)); And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). Recorded at Radio Bremen Sendesaal. HCR02, November 2010. Available online here.
News prior to 2013 Grants/Awards University Research Fund A three-part project supporting the development of a new work for EXAUDI vocal ensemble, including significant education & outreach work. PRSF New Music 20×12 commission for a new work for EXAUDI, part of the 2012 London Cultural Olympiad.  Video preview. British Council Composer Bursary (administered by Sound & Music), September …
Performances since 2015 can be found here. songs only as sad as their listener Weston Olencki, trombone (Fonema Consort). Canvas Theater, Chicago, Illinois. November 21, 2014. asphyxia Ryan Muncy, saxophone. Palácio da Justiça, Manaus, Brazil. September 2, 2014. Because they mark the zone where the force is in the process of striking Weston Olencki, trombone. Constellation, …
ELISION. Includes Because they mark the zone where the force is in the process of striking (Ben Marks, trombone) and What then renders these forces visible is a strange smile (Tristram Williams, trumpet) Recorded live, hcmf 2009. HCR03, November 2010. Available online here.